(The first in an occasional series of articles exclusive to the Dinodisc Forum)
For many years, if anyone cared enough to ask me what my favourite movies were, I always cited 2001: A SPACE ODYSSEY at the top of my own personal list. I’d never quite gotten over that first viewing back in 1969 at my local ABC cinema. Having never taken recreational drugs, I’m not sure I was quite prepared for Kubrick’s startling visuals but, after sitting mesmerised for 2 hours 20 minutes, I felt I would never need to. That movie was a “trip” enough.
Later, however, I made the mistake of telling friends and acquaintances how brilliant I thought it was, so off they all trooped to see it, ostensibly on my recommendation. And boy, did I get it in the neck afterwards!
“Hey, man,” they said (they all talked like that back then), “you said it was great! Whoa, it was the biggest load of tosh imaginable! Why, it was so BORING!” (Being boring was, as now, the greatest crime a movie could commit.) “There was no action, hardly any dialogue, weird classical music and, anyway, what was it all about? We couldn’t understand any of it!” and so on.
That taught me a lesson, namely, that just because some people think a thing is fantastic doesn’t mean that others will. The trouble is that if ENOUGH people go on about how brilliant it is, those with a contrary view will end up feeling intimidated and reluctant to voice their opinion. But come on, we’re all grown ups, aren’t we?
Which brings me to STAR WARS.
For me, that movie (and the rest of the ill-gotten franchise) is one of the most over-rated, over-hyped and totally pointless pieces of cinema of the last 50 years. SO WHY DOES EVERYONE THINK SO HIGHLY OF IT?
For years, film magazines like Empire and Total Film would run annual “Greatest Ever” polls and STAR WARS would always come out at No.1. It’s dipped a bit in recent times but it’s still spoken of in hushed tones as the greatest film in the universe. (Mind you, I used to work with a couple of people who thought UNCLE BUCK was the world’s greatest movie, so what do any of us know?)
But let’s look at STAR WARS more closely. It’s really not a good film. It’s certainly not good science fiction (like most SF movies, it breaks all the physical laws pertaining to real science out there). It’s essentially “space opera”, what Variety magazine would call an “oater”, basically a cowboy film set in space rather than Wyoming.
OK, it’s popular and populist. It doesn’t pretend to great intellectual heights “a la Kubrick” despite all the socio-political and pseudo-religious aspects that fans have read into it, and it does have one of the most impressive opening shots ever (much copied by “Star Wars” bandwaggoners afterwards), but the plot? What plot? I’ve seen the film several times (ever hopeful that THIS TIME it’ll seem better) and I still couldn’t tell you what it’s about. (There’s a plot “overview” on Wikipedia and it still amounts to nothing of any consequence.)
The characters are largely insipid. Luke is thoroughly wet behind the ears, Princess Leia is feisty but, with her Danish pastry hair, cannot be taken seriously. Actors Alec Guinness and Harrison Ford are both slumming for all they’re worth (which was quite a lot in Guinness’s case – hmmm, a case of Guinness, now that would be better!) and the only character with any lasting resonance is Darth Vader himself. He is the one iconic character to come from the franchise. (Please spare me Yoda, Jabba and Jar Jar Binks – I cannot cope!) Even the ever-reliable Peter Cushing fails to bring the much-needed gravitas that was surely the only reason for his casting! And as for that walking stair carpet, Chewbacca, the least said the better!
John William’s music is pedestrian, George Lucas’s direction is perfunctory, and the effects are so-so. (No wonder Lucas has had to keep returning to this film to ‘tweak’ it in the right direction.) For my money, only the miniatures and model work show any real artistry.
Now, by comparison, take that other blockbuster released that same year: CLOSE ENCOUNTERS OF THE THIRD KIND. I remember queuing in Sheffield to see both these movies on big screens at the time of their release, and – wait for it – I actually fell asleep during STAR WARS! Only the rebel attack on the Death Star at the end was exciting enough to wake me up! But as for CLOSE ENCOUNTERS, I never blinked for one second…. It was totally involving, it had a proper plot, fantastic effects, a memorable John Williams score, inspiring direction, the lot. It moved me and it “meant something”. I went back twice to see it on the big screen, even taking a party of school children on one occasion. (I felt it would enhance their education!) But STAR WARS? No. Significantly, of the other five “Star Wars” movies, I’ve chosen to see none in a cinema and I’ve only seen Episodes V and VI as part of my laserdisc set.
Why do I have the laserdiscs at all, you might wonder? Well, these movies ARE part of cinema history, I have to admit. They DO seem to have had a big impact on some people so I cannot dismiss them altogether. But I simply cannot see their worth cinematically. Almost any other decent SF film from the 70s – SILENT RUNNING, ALIEN, STAR TREK THE MOVIE, even FLASH GORDON – steals a march on Lucas’s overblown marketing enterprise.
What do you think?